Genesis Advanced Technologies Speaker System G71c User Manual

absolute fidelity  
READTHISFIRST  
Genesis loudspeakers in general are heavy and slippery. This is as  
a result of the fine veneer, and high gloss finishes that we put on  
the speaker to make them beautiful and an object of art. They have  
a luxurious feel as well as an elegant look.  
The cabinet is solidly made of high-quality MDF and/or composite  
material. Transducers have large magnetic assemblies and the  
crossovers use large, high-grade components. All of this leads to a  
very heavy object for its size.  
Due to the weight, and also to the waxy finish, the loudspeaker may  
be slippery and difficult to handle. We always recommend a  
minimum of two people to unpack, move them around, and set  
them up.  
Your speakers will come wrapped in a 100% cotton “sock” inside a  
double-corrugated cardboard carton. Examine the carton for  
shipping damage. Dented corners are an indication of something  
having gone wrong during shipping.  
Enlist a friend to help you unpack and set-up the loudspeaker. Not  
only is it safer, it is more fun than doing it yourself.  
Lift the speaker in its sock out of the shipping carton. Don’t just  
grab the sock to lift the loudspeaker. The sock may break. Be  
careful that you do not inadvertently put a finger through a driver.  
Unwrap the loudspeaker, and store the sock in the shipping carton.  
Store the shipping carton in a safe, dry place.  
Read this owner’s manual, and then get started.  
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4.2.2 TITANIUM MID-WOOFER  
CROSSOVER  
VIBRATION-FREE CABINET  
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4.3  
4.4  
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SPECIFICATIONS  
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AMessagefromGenesis  
Congratulations! You are now the owner of one of the finest  
loudspeakers in the world. The Genesis 7.1 Convertible (G7.1c)  
features the world’s first solid titanium cone mid-woofer, and shares  
technologies developed for our flagship Genesis 1.1.  
The G7.1c is designed to be as flexible as possible. It can be used  
as a pair of audiophile stereo loudspeakers or, in a multi-channel  
system, can also be used as main left/right speakers, a center  
channel speaker, or as surround or rear channels.  
So that it will fit into the décor of any home, the cabinet design is a  
combination of acoustic, furniture, interior design and architectural  
principles. Care was taken in the selection of fine furniture-quality  
natural wood veneer finishes, and high-gloss “Italian” or automotive  
finish.  
Sound structural engineering principles have been applied to make  
the G7.1c cabinet rigid and well damped. All construction is of ¾  
inch MDF and panels have been “tongue and grooved” to ensure  
that the cabinet is the best environment on which to mount the  
transducers. This results in extremely low cabinet coloration, and  
excellent soundstaging and imaging. The proportions are also  
designed to be visually pleasing and elegant.  
Please read this Owners Manual and Set-up Guide to get the  
maximum enjoyment out of your purchase. Also, check out our  
website at www.genesisloudspeakers.com for the latest updates,  
tips & tricks, and support for our owners.  
Please write the serial number and purchase details of your Genesis 7.1c  
here for future reference.  
Purchased at: _________________ Date: __________  
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1 AQuickStartSet-upGuide  
Now that you have your new Genesis 7.1 Convertible (G7.1c), we  
realize that you can’t wait to hook it up and start playing! However,  
please read this quick set-up guide (even if your dealer is setting it up for  
you) before you proceed.  
1.1 Unpacking  
Your loudspeakers will come to you in two shipping cartons weighing  
over 35lbs (16kgs) each. Care must be taken when moving the carton  
around, and taking the speaker out of the box. While the speaker is  
small, it is also slippery and heavy. Use correct lifting techniques utilizing  
the muscles in your legs, and not just your back.  
We will not be held liable for damage to either the speakers or your  
backs during unpacking and setting up. Be careful as you may  
inadvertently damage the drivers if the cabinet slips and you grab at it  
and put a finger into the woofers. Do not try to lift the cabinet by the  
shield (it is not a handle!) or by grabbing the woofers as handles.  
1.2 Placement  
As a stereo pair of speakers, a good starting position for your G7.1c  
is at least 18 inches (45cm) into the room as measured from the front  
wall (the wall you look at as you are seated listening to the speakers) to  
the back of the speakers. Place the speakers vertically on a stand that is  
at least 18 inches high, and about five feet (1.5 metres) apart with the  
tweeters closest together. Toe the speakers in very slightly towards the  
listeners – by about 3 to 10 degrees – no more.  
Used as a center channel, the G7.1c can be placed below or above  
your screen. If you have a perforated, sonically transparent projector  
screen, you may place it behind the screen. In all cases, do not point  
the tweeter directly at the ears of the listeners. Angle the speaker so  
that the tweeter points 12 inches (30cm) below the ears or over the  
top of the head.  
You will want to sit nine to twelve feet (three to four metres) away from  
the speakers. When sitting further away, you should place the speakers  
further apart. When sitting nearer the speakers, move the speakers  
closer together.  
If you are using the G7.1c as surround or rear speakers, and you are  
hanging them on the wall, you will need a qualified installer to mount  
them on very strong brackets. The speakers weigh over 30 pounds  
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(13.6 kgs) each, and can cause death or severe injury if it falls on  
someone’s head!  
1.3 Connections  
The speakers should be connected directly to the speaker-level output  
of your power amplifiers using high quality speaker cables and the 5-  
way binding posts.  
The high-level thru-put binding posts are for connecting to a subwoofer.  
We recommend the Genesis ServoSub™ 4/8 as the perfect  
complement to this speaker. The correct cable for connecting a  
loudspeaker to a ServoSub is an interconnect cable, and not a  
loudspeaker cable.  
The ServoSub has a high-impedance input, and the speaker and power  
amplifier has a low-impedance output. A computer-networking CAT6  
cable can be used as this “jumper” if a good interconnect cable is not  
available.  
1.4 Adjustments  
Don’t be too worried by the knob and switches on the back of the G7.1c.  
Set knob (tweeter level) to the 12 o’clock position, and the stand-  
alone/with-sub switch depending on whether you have a ServoSub™  
connected.  
If you have at least 12 inches (30cm) of space between the back of  
the speaker and the rear wall, the rear tweeter should be left ON.  
Otherwise, turn the rear tweeter off with the tweeter defeat switch on  
the back panel.  
That is a good place to start. The G7.1c will sound great, straight out of  
the box. As you play your system for the next hundred hours or so, the  
speaker will settle down and break in.  
Once you familiarize yourself with its performance, putting a little bit of  
additional effort into tuning the speaker properly for your system (which  
includes the room), will give you greater long-term enjoyment and  
benefits.  
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2 Settingup:Multi-channel  
2.1 Positioning for Center Channel  
A good starting position is for the G7.1c to be placed horizontally about  
20 inches from the floor, and angled upwards by 3 to 5 degrees. This is  
assuming that the speaker doesn’t block the screen in this position.  
Use a good quality stand that is solidly built and as rigid as possible. The  
Genesis ServoSub™ 4/8 is a unique subwoofer that complements the  
G6.1c to turn it into a full-range absolute fidelity™ system, and also  
makes a perfect stand for the G7.1c.  
An alternative is to place the speaker horizontally above the television  
set, and angle it downwards by 3 to 5 degrees. In either case, do not  
point the speaker directly at the head of the listener, but either over her  
head, or at her chest.  
As these speakers are dipolar with a rear-firing tweeter, there should be  
at least 12 inches (30cm) of space between the back of the speaker and  
the wall. If this space is not available, turn the rear tweeter off with the  
tweeter defeat switch.  
On the home theatre processor, set the speaker to “LARGE” as the  
G7.1c plays below 60Hz.  
2.2 Loudspeaker Controls  
2.2.1 Tweeter Control  
The knob marked TWEETER on the plate on the back of the speaker is  
used to tailor the high-frequency response of the G7.1c. It is a subtle  
control, but can make a great difference in gaining that last bit of  
additional performance from your speakers.  
Turning this control clockwise will increase the level of the tweeters. Use  
this control if you need a bit more treble, or to increase the apparent  
space of the soundstage. Too high a tweeter level, and you can feel that  
voices are too sibilant. With music, crashing cymbals are leaping out at  
you, and nylon stringed guitars sound steely. Start with this control at the  
12 o'clock position. There is about a ± 1dB range for this control.  
2.2.2 Tweeter Defeat  
The G7.1c should be placed at least 12 inches (30cm) away from the  
wall behind the speaker. If this is not possible, turn the rear-firing tweeter  
off to configure your loudspeaker as a monopole. This is perfectly  
acceptable and will not compromise the performance for multi-channel  
surround movies.  
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3 SettingupasStereoPair  
3.1 Positioning  
Used as a stereo pair, the G7.1c should be placed vertically at least 18  
inches (0.45m) into the room as measured from the front wall (the wall  
you look at as you are seated listening to the speakers), to the back of  
the speaker. They should be placed on good, solid speaker stands  
about 18 to 24 inches (60cm) high.  
Start with the speakers five feet (1.5m) apart with the tweeters placed  
closest together, and angled in (toed-in) towards the listener by about 3  
degrees. You will want to sit 9 to 12 feet (3 to 4 metres) away from the  
speakers (if you have the space). We will experiment with moving the  
speakers around later.  
As these speakers are dipolar in the high frequencies, they are pretty  
room-friendly and you are free to move the speakers closer to, or further  
away from the front and side walls. We do recommend, however, that  
you give the speakers a little bit of breathing space behind them, so  
don’t push them up tight against the wall.  
If you have the speakers too close to the front wall, you will find that the  
image depth is not as good - the soundstage becomes a little two-  
dimensional. If you have the space to move the speakers away from the  
wall, do so. You will be rewarded with the deep, broad soundstage that  
this loudspeaker is capable of. You should be able to “see” the  
soundstage behind, as well as in front of, the loudspeakers. The sound  
stage will also extend outside the left and right sides of the speakers.  
3.2 Loudspeaker Controls  
3.2.1 Tweeter Control  
The knob marked TWEETER on the plate on the back of the speaker  
tailors the high-frequency response of the G7.1c. It is a subtle control,  
but can make a great difference in gaining that last bit of additional  
performance in tuning your speakers for the room in which you are  
using them. It can turn your system from very good to exceptional, so  
take the time to work through this process.  
Turning this control clockwise will increase the level of the front tweeter.  
Use this control if you need a bit more treble, or to increase the apparent  
space of the soundstage. Too high a tweeter level, and you can feel that  
crashing cymbals are leaping out at you, and nylon stringed guitars  
sound steely. Start with this control at the 12 o'clock position. There is  
about a ± one dB range for this control.  
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3.2.2 Tweeter Defeat  
The optimal way to use these speakers as a stereo pair is to leave the  
rear tweeters on, and run them as dipole and at least 18-inches from the  
front wall. However, in some cases, this may not be possible.  
Should the speakers have to be placed with their backs less than 12  
inches from the wall, the rear tweeters should be turned off.  
3.3 Tuning the system  
Music is the best way to begin your set-up procedure. We suggest that  
video sources be used only after you have set-up the system to properly  
reproduce music. There is no “perfect” setting for the G7.1c  
loudspeaker. Every listening room is different, and we recommend that  
you take the time to carefully tune the system for the environment in  
which it is placed.  
Your Genesis loudspeakers should sound great straight out of the box. If  
you don’t like the sound, several hundred hours of breaking-in will not  
change the sound of your speakers, although it may break-in your ears!  
3.4 One Change at a Time  
One rule of thumb you should always keep in mind: Make one change  
at a time! Do not, for instance, change position of the speakers and  
make an adjustment to the tweeter all at once. Make each of these  
changes separately and note the difference - by listening with each  
adjustment - then make the next change.  
3.5 Imaging and Soundstage  
We suggest that you start with a single vocal with simple instrumental  
accompaniment because the sound of the human voice is more easily  
recognizable than many instruments and is a less complex sound to  
deal with. Use a good recording that you know has atmosphere and  
low bass content.  
The performer should appear to be positioned behind the loudspeakers  
and be at the appropriate height for a standing person. If it is not, there  
are several remedies that will address this shortfall:  
If the vocal appears to be larger than life, you should first check the  
system volume. Is it a volume that would be appropriate for  
someone actually singing in your room? If there is too much volume  
the artist will appear too big and the opposite is true for too little  
volume. If the volume is set correctly and the image is still too big,  
place the speakers closer together and re-listen. Place the speakers  
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no less than 5 feet apart. If the image is still too big, toe the  
speakers in a slight amount.  
Conversely, if the image is too small, move the speakers apart. The  
speakers should be no more than eight feet apart. Repeat this process  
until you have it right.  
The wider apart you have the speakers, relative to your seating  
position, the more you will have to toe the speakers in. However, this  
may result in “audiophile-itis”. You get a huge soundstage, but only a  
tiny sweet spot and you have to sit exactly in the center. Also, when  
the speakers are very far apart, you may have to play them louder  
before you can enjoy a realistic soundstage. The images are more  
diffuse, and can seem larger than life.  
If you have the speakers 18 inches into the room, and you are not  
getting enough front to back depth (the singer not appearing behind the  
speaker enough), pull the speakers away from the front wall a little bit at  
a time. However, slightly more than 1/3 of the way into the room is  
about as far as you want to go. Pulling them half-way into the middle  
of the room is unlikely to help.  
Find the best compromise for your room, your tastes and your space  
requirements. If you are not getting proper focus on the voice, you may  
angle the left and right speaker up to about 10 to 15 degrees (toe-in)  
towards your listening position until you have a properly defined center  
image. If the speakers are too far apart, the mid-bass will de-couple and  
you will lose the side image. If they are too close together you will have  
too small and congested a center stage.  
When properly set up, very little sound should appear to come  
directly from the speaker. Instead, the sound stage should extend far  
beyond the left and right edge of the loudspeakers and they should have  
tremendous front to back depth. When the recording is close-miked  
(when the instrument or performer is very close to the recording  
microphone), the music may appear to come directly from the  
loudspeaker. This is normal. Typically, however, the sound should  
appear to be detached from the loudspeakers.  
A simple rule of thumb to follow is that focus will be achieved by placing  
the speakers closer together or farther apart, and front to back depth  
can be adjusted by the distance from the rear wall. Further, as the  
system “breaks in”, the depth and width of the soundspace will increase  
and so will the “smoothness” of the sound.  
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3.6 Defining the Soundstage  
A common problem is a tendency to separate the speakers too far from  
each other. This gives an unnaturally wide soundstage between the two  
speakers, and creates problems beyond the unnatural width of the  
center stage. It focuses the soundstage in between the two speakers,  
and you lose the “space” and “ambience” of the musical performance.  
If you find that the sound is not spacious enough, or you are not getting  
enough front to back depth, pull the speakers away from the front wall.  
This is typically preferable to separating the speakers too far, and will  
almost always give you better depth and soundstage information. A  
word of caution though: If you move the speakers too far from the front  
wall you may lose the focus of the image.  
In order to achieve what the speaker is capable of, we suggest you  
focus your efforts on a proper balance of soundstage elements that  
includes information beyond the left and right sides of the speakers, front  
to back depth well behind the speaker, excellent focus of instruments  
and voices, with proper vertical information and mid bass fill.  
A Genesis loudspeaker system correctly set up, can and should provide  
a soundstage that is wall-to-wall, with pinpoint focus; the speakers  
disappearing completely on a recording containing such information.  
With the G7.1c, adding a ServoSub or two will result in the walls of the  
room melting away. Ambience of large acoustic spaces is defined by  
low-bass, and the ServoSub adds that critical element when listening to  
performances recorded in large venues.  
3.7 Room Treatment  
No room is perfect. To optimize your sonic presentation it may be helpful  
to treat your room. Here are some guidelines:  
Front walls. This loudspeaker is a dipole and therefore, there is  
sound coming from both the front and back of the speaker. How the  
front wall (the wall you face while listening), is treated or not  
treated is important. Generally speaking, the Genesis loudspeakers  
prefer a live (hard reflective) front wall to a dead (soft absorbent)  
front wall.  
By these terms, we mean the amount of reflection of sound. A typical  
wall of glass, brick, cement or drywall material is a reflective  
surface. A heavily curtained or sound-proofed wall would be  
considered a "dead wall" or a non-reflective wall. A normal thin  
curtain across a window causes only a small amount of absorption.  
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Sidewalls. Because the speaker is a dipole,  
it is less sensitive to the sidewalls. However,  
as a rule of thumb it is a good idea to keep  
the speaker as far away from the sidewalls  
as is practical. In some rooms, it may be  
helpful to add some damping material or  
diffuser panels to the point of first reflection.  
This is a point on the sidewalls between the  
listener and the loudspeaker. It is where the  
sound from the loudspeaker first hits the  
sidewall, then bounces to the listener. This  
reflection is undesirable because it is slightly  
delayed from the original sound. This point on  
the sidewall can be easily determined with  
the help of a second person and a mirror.  
Sitting in your listening position, have an  
assistant hold a mirror up on the sidewall.  
Move the mirror until you can see the  
tweeter. This is the point of first reflection. A  
diffuser (see your audio dealer), an  
absorptive material, a bookcase, or even a  
piece of furniture can help break up this point  
of first reflection.  
Rear wall. In many cases it will be unnecessary to do anything with  
the wall behind your listening position. However, you may want to  
experiment with diffusers or absorbers behind you for best sound.  
Absorption behind the listener is usually beneficial.  
3.8 Mastering the Refinements of the system  
Fine tuning an audio system is an art that will take time and patience. It  
can be one of the more rewarding learning experiences you will have in  
the pursuit of music and its enjoyment.  
In some problematic rooms a resonance may develop, at one or more  
frequencies, that is unnatural to the music. By moving the speakers  
closer to the front wall or farther from the front wall, the resonance may  
be reduced at the listener’s position. There are no absolute rules  
concerning problematic rooms, so do not be afraid to experiment with  
speaker placement to determine the best position of the speakers in  
your room.  
One of the best pieces of advice we can offer is that you take advantage  
of your ear's ability to identify similarities in sound. This ability is useful in  
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fine-tuning your system because, if every recording you listen to has a  
similarity of sound (too much or too little of a certain frequency for  
instance), then you can be fairly certain that you have yet to perfect your  
set-up. Keep at it, and remember to enjoy your music as you work on  
perfecting your set-up!  
If you have any questions, feel free to contact us at Genesis. Our  
website is the first place you can look to for more information, but you  
are welcome to either send us an email, or just give us a call!  
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4 TheTechnologyused  
4.1 Dipolar Configuration  
What a lot of people don’t realize is that the room is as big (if not bigger),  
a part of their music system as are the loudspeakers. At Genesis, we  
strive to get the loudspeakers and the room to work well together and  
hence, design loudspeakers that interact with the room and have  
enough of adjustment to make them work with most rooms in the world.  
All rooms have floors, ceilings and sidewalls that distort sound because  
of lateral, early-arriving reflections. We aim to suppress undesirable  
contribution by reflected sound from these four surfaces (which is why a  
lot of people put sound absorbers or diffusers at the first reflection point  
of the room). In order to do that with a majority of rooms, we make our  
loudspeakers dipolar.  
Dipoles radiate the same, but out-of-phase, waveform from the front and  
rear in “push/pull” fashion. Thus, the sound waves from the front and  
back of the speakers cancel out as they radiate from the sides and tops  
of the speakers which means that there is minimum radiation of sound  
to the sidewalls of the room.  
The G7.1c uses the wall behind the speaker to give more depth to the  
soundstage and “air” to the speaker without detail robbing room  
reflections from the sidewalls. Hence, it has the advantages of omni-  
directional speakers, without the disadvantages.  
With fewer spurious reflections to confuse your hearing, the program  
source emerges more clearly. Imaging is stable, sharply focused,  
deeper and spacious. Transients are clearer and sharper.  
4.2 The Transducers  
The transducers in the 2-way G7.1c are all proprietary Genesis-  
designed drivers manufactured to our exacting standards:  
4.2.1 The Genesis Ribbon Tweeter  
Reviewers in the audiophile press have often remarked that the Genesis  
circular ribbon tweeter is the world’s best. It is a one inch circular planar  
ribbon design crafted from an extremely thin membrane of Kapton® with  
a photo-etched aluminium “voice coil” that is a mere 0.0005 inch thick.  
The entire radiating structure has less mass than the air in front of it!  
That is why it will accurately reproduce frequencies beyond 36 kHz.  
The result of this design is a driver that has a rapid and uniform  
response to high frequencies and has the speed of the best  
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ribbon/electrostatic designs, without the high distortion and poor  
dispersion that is typically associated with them.  
The G7.1c uses two of these tweeters per channel. One is front-firing  
and the other rear-firing; wired to the crossover out of phase to the front  
tweeter, creating a dipole.  
4.2.2 Titanium Mid-Woofer  
We sometimes say that the midrange is a window into the mind of a  
composer or a singer. And indeed, the midrange is where the “magic” is  
in a well-recorded musical event.  
The G7.1c uses a Genesis-designed proprietary 6 inch solid titanium-  
coned transducer to cover this critical frequency spectrum.  
Manufactured out of one of the lightest and stiffest materials known, this  
low mass cone driver is one of the best midrange transducers ever  
made, with nearly instantaneous transient response, enabling the G7.1c  
to sound lifelike and effortless.  
The stiffness of the titanium cone also allows Genesis to use this as a  
woofer – hence, mid-woofer. It retains its low distortion, even on long  
throw application needed in delivering the lower frequencies. Hence, the  
solid titanium cone allows Genesis to develop a driver that is exemplary  
in the midrange, as well as deliver the heft and impact of a woofer.  
4.3 Crossover  
We believe that the crossover is the brain of the loudspeaker. In order to  
manage and maximize the performance of the extensive complement of  
transducers used in Genesis loudspeakers, we spend more money on  
the crossover than many other manufacturers put in their entire speaker.  
Each crossover is designed by computer modelling plus years of  
knowledge and experience. The inductors are custom designed and  
made for Genesis with OFC copper windings. The capacitors used are  
also custom made for Genesis, using high-quality polypropylene-film  
and tin-foil. The crossover of each G7.1c weighs over five pounds  
(2.2kg)! L/C tuning is employed to extract the most bass out of the small  
cabinet.  
More importantly, the crossovers are designed with many, many hours  
of music listening and constant refining, tuning and tweaking of the  
circuit. Out of this comes the “magic” that is a Genesis-designed  
loudspeaker system.  
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4.4 Vibration-free Cabinet  
The cabinet was designed for aesthetics, but with an obsession to sonic  
quality, vibration control, structural strength and rigidity.  
In some parts of the cabinet where vibration would have been the  
greatest, 1 ½ inches (36mm) of multi-layer bonded MDF was used to  
provide damping, structural integrity and a rigid platform for the drivers to  
be located.  
Incidentally, MDF was chosen as the material of choice for its damping  
properties and its consistency in hardness, density and rigidity. It would  
actually have been cheaper and easier to make the cabinet of solid  
wood, but that would have been a compromise.  
Genesis designed a unique tongue  
and groove joint in order to improve  
the structural rigidity and vibration  
behaviour of the cabinet.  
Crystalline glue the dissolves into  
the mdf was chosen to ensure that  
the interfaces between two panel  
pieces becomes as one. This  
results in the entire enclosure  
behaving as a single unit, with  
seemingly no discontinuity in  
material.  
This results in a joint so strong that  
when you try to rip the joint apart, it  
isn’t the joint that would break. The  
mdf would break apart first.  
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5 Specifications  
Frequency Response:  
50Hz to 36kHz, ± 3dB  
87 dB, 1 watt 1 meter  
45/250 watts per side  
Sensitivity:  
Min/Max Power (Tube):  
Min/Max Power (Solid State): 60/500 watts per side  
Input Impedance:  
HF Transducers:  
6 ohms (Nominal)  
Two Genesis 1” Circular Ribbon  
Tweeters (front & rear)  
Mid/LF Transducers:  
Controls:  
Two Genesis 6” Titanium Cone  
Front Tweeter level, Rear  
Tweeter Defeat,  
Standalone/With Sub  
Inputs:  
High-level with 5-way binding posts  
High-level with 5-way binding posts  
H 7 ¾” x W 23 ¾” x D 11”  
30 lbs (13.5kg)  
Throughputs:  
Dimensions:  
Weight:  
Finishes:  
Rosewood or Olive Burl shield  
with European Maple body;  
Corian shield with High Gloss  
Black body;  
Standard and custom  
automotive paints  
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