Vox Stereo Amplifier DA5 User Manual

E
1
 
CE mark for European Harmonized Standards  
CE mark which is attached to our company’s products of AC  
mains operated apparatus until December 31, 1996 means it  
conforms to EMC Directive (89/336/EEC) and CE mark Directive  
(93/68/EEC).  
And, CE mark which is attached after January 1, 1997 means it  
conforms to EMC Directive (89/336/EEC), CE mark Directive (93/  
68/EEC) and Low Voltage Directive (73/23/EEC).  
Contents  
Introduction ............................................. 4  
Welcome aboard! .......................................................... 4  
Main features ................................................................ 4  
Also, CE mark which is attached to our company’s products of  
Battery operated apparatus means it conforms to EMC Directive  
(89/336/EEC) and CE mark Directive (93/68/EEC).  
Setup ....................................................... 5  
Installing Batteries.......................................................... 5  
The Guitarists Guided Panel Tour .............. 6  
* Company names, product names, and names of formats etc. are  
the trademarks or registered trademarks of their respective  
owners  
A. Top Panel .................................................................. 6  
B. Rear Panel ................................................................. 8  
Creating Your Own Program and Adjusting  
the Noise Reduction .......................... 10  
Creating your own program ......................................... 10  
Adjusting the noise reduction........................................ 11  
Styles and effects ................................... 12  
STYLES ........................................................................ 12  
Effects .........................................................................14  
Troubleshooting...................................... 17  
Specifications ......................................... 18  
Programmers Cheat Sheet...................... 19  
3
 
The power select switch lets you adjust the output  
wattage of the power amp. This means that even  
when the master volume is turned up to the max to  
drive the power amp, you can lower the volume with-  
out losing any tone or feel.  
Introduction  
Welcome aboard!  
Thanks for choosing the VOX DA5. To ensure a long and  
trouble-free relationship with your new amp, please read this  
manual carefully, use the amp as directed and keep the  
manual for future reference.  
Main features  
The compact DA5 features five watts (5W) produc-  
ing stellar tones inherited from the VOX Valvetronix  
series (AD15VT, AD30VT, AD50VT, AD100VT).  
This portable amplifier is powered by six C batteries  
or the included AC adapter, enabling you to play any-  
where.  
Inputs include an AUX IN jack, for connecting an ex-  
ternal audio device (CD, MP3 player, etc.), and a  
MIC INPUT jack, to which you can connect a micro-  
phone. You can play along with recorded music or  
accompany your vocals on guitar.  
The TAP button enables you to easily set the flanger  
speed or delay time in sync with the tempo.  
The amplifier provides eleven distinctive sound  
styles that can be used in various musical genres.  
Eleven high-quality effects are built in and seven are  
multi effects that let you use two effects simulta-  
neously plus Noise Reduction.  
4
 
Installing Batteries  
Setup  
Remove the battery compartment cover located on the bot-  
tom of the unit by pulling the ribbon. Insert six C alkaline  
batteries as shown in the figure. Be sure to observe the cor-  
rect polarity.  
Please refer to the illustrations in the section entitled “The  
Guitarist’s Guided Panel Tour” (page 6).  
1. Turn the MASTER volume on the amp all the way  
down.  
2. Insert the batteries as shown on page 5.  
Alternatively, plug the supplied AC adapter cord into  
the DC IN jack on the rear panel, then plug the AC  
adapter into a wall outlet.  
NOTE:Batteries are not included. You will need to purchase  
them separately. Never use any type of battery other  
than alkaline batteries.  
NOTE:Never use any AC adapter other than the included one.  
3. Plug your guitar into the INPUT jack on the top panel.  
If you also plan to use a CD or MP3 player, or a mi-  
crophone, connect the player to the AUX IN jack or  
the microphone to the MIC INPUT jack on the rear  
panel.  
4. Turn on the POWER switch.  
5. Slowly raise the MASTER volume to a desired level.  
About battery life  
HINT: The rear panel POWER SELECT switch controls the  
output level of the power amp, letting you adjust the  
volume while keeping that great-sounding power-amp  
distortion!  
The battery life varies depending on the output watt-  
age selected by the POWER SELECT switch.  
POWER SELECT  
Battery life  
18 hours  
25 hours  
30 hours  
5W  
1.5W  
0.5W  
HINT: Selecting a lower output wattage during battery opera-  
tion will extend battery life.  
5
 
Replacing the batteries  
The Guitarists Guided Panel  
Tour  
Replace the batteries when the indicator above the  
POWER switch becomes dim.  
NOTE:If the battery power is low, noise may be heard.  
In this chapter we’re going to take a look at the top and rear  
panels of your amp.  
NOTE:Depleted batteries must be removed from the DA5 im-  
mediately. If you leave them in, malfunctions such as  
battery leakage may occur. You should also remove the  
batteries if you will not be using the DA5 for an ex-  
tended time.  
A. Top Panel  
3
4
1
2
1. INPUT Section  
This is where you plug in your guitar.  
2. Power switch  
When the power is on, the indicator located above  
the switch will be lit.  
3. AMP Section  
Here’s where you adjust the settings for your ampli-  
fier.  
6
 
STYLE selector switch  
EDIT 1  
This switch selects one of the eleven different sound  
Styles including clean sounds, slightly-distorted  
bluesy sounds, crunchy rhythm sounds, and high-  
gain lead sounds.When you select a different type of  
sound, the noise reduction setting is automatically  
configured to accommodate the selected amp sound  
Style.  
Use this to adjust the parameters of each effect. By  
using this knob in conjunction with the TAP and BY-  
PASS buttons as described below, you can adjust  
three different parameters. (That is, if the BYPASS  
LED is dark.)  
Turn EDIT 1 (without pressing a button) (EDIT 1)  
Turn EDIT 1 while pressing TAP (EDIT 2)  
Turn EDIT 1 while pressing BYPASS (EDIT 3)  
If the BYPASS LED is lit (the effect is bypassed), you  
can hold down the TAP button and turn the EDIT 1  
knob simultaneously to adjust the noise reduction  
sensitivity.  
GAIN  
This adjusts the preamp gain.  
TONE  
This adjusts the tone.  
NOTE:You can’t adjust the effect parameters while the BYPASS  
MASTER  
LED is lit.  
This adjusts the overall volume of the amplifier.  
NOTE:When you turn on the DA5, the EDIT 2, EDIT 3 and  
Noise Reduction parameters will be automatically set  
to the values appropriate to the current selection of the  
EFFECTS and STYLE selector switches.  
NOTE:The GAIN control also affects the amount of distortion.  
For some settings, there may be virtually no distortion.  
4. Effect section  
Here you can adjust settings for the effects and noise  
reduction. For details on each effect, refer to “Styles  
and effects” (page 12).  
TAP (EDIT 2) and LED  
This button enables you to set the speed of a modu-  
lation-type effect such as CHORUS or FLANGER  
the DELAY time or REVERB length. Simply press  
the TAP button twice at the desired interval and the  
LED blinks at the specified speed or time.  
EFFECTS  
Selects the type of effect.You can use the TAP but-  
ton, EDIT 1 knob and Bypass button to adjust the pa-  
rameters of each effect. When you select an effect  
type, the effect parameters will be initialized and  
Effect Bypass will be defeated.  
HINT: To set the time to exactly match the tempo of a song,  
press the TAP button several times along with the song.  
7
 
HINT: You can also further adjust the speed or time, by holding  
down the TAP button and turning the EDIT 1 knob.  
(This is the EDIT 2 mode)  
B. Rear Panel  
NOTE:If the BYPASS LED is lit, you won’t be able to use the  
TAP switch to set the time. (The TAP LED will be dark.)  
NOTE:If you turn off the power to the unit, the value set by the  
TAP button will be reset to its initial value.  
BYPASS (EDIT 3) and LED  
If you don’t want to use an effect, press this button to  
turn the effect off (i.e., bypassed). If the effect is by-  
passed, this LED will be lit.  
1
2
3
4
5
6
7
NOTE:You can’t adjust the effect parameters if the BYPASS  
LED is lit.  
1. POWER SELECT  
This switch adjusts the output wattage of the power  
amp.This means that even when the master volume  
is turned up to max to drive the power amp, you can  
adjust the volume without losing any tone or feel.  
HINT: While the effect is bypassed, you can adjust the noise  
reduction sensitivity by holding down the TAP button  
and turning the EDIT 1 knob.  
HINT: The bypass setting is remembered even when you switch  
2. LINE/PHONE jack  
modes, switch programs, or turn off the power.  
Use this jack if you’re plugging directly in to a mixer,  
recording device, or if you’re using headphones.The  
output signal from this jack is taken before the power  
amp, and the character of the guitar amp cabinet is  
applied to it.  
HINT: The Bypass button can be used to modify effect param-  
eters (EDIT 3). Press and hold Bypass and simulta-  
neously turn the EDIT 1 knob. See the chart on page 14  
for what parameters can be controlled.  
NOTE:Connecting headphones to this jack will mute the inter-  
nal speaker.  
8
 
3. AUX IN jack  
Connect an external audio device to this jack. This  
enables you to conveniently connect a CD or MP3  
player and play your guitar along with the player’s  
output.  
NOTE:Adjust the playback volume on the connected player.  
4. MIC INPUT jack  
Connect a microphone to this jack.  
5. MIC VOLUME knob  
This adjusts the volume of the microphone input.  
6. DC IN jack  
Connect this jack to the included AC adapter.  
7. Cord hook  
When you are using the included AC adapter, hook  
the cord here to prevent it from being accidentally  
unplugged from the jack.  
NOTE:Use care when unhooking the cord so as not to damage  
it.  
9
 
Creating your own program  
Creating Your Own Program and  
Adjusting the Noise Reduction  
Let’s start from scratch.  
1. Use the BYPASS button to bypass the effect. (The  
BYPASS LED is lit.) If you want to use an effect, you  
can add it at the end of this process.  
2. Use the STYLE selector switch to select an amp  
sound type.  
This section explains how to create your own program, in-  
cluding how to adjust effect parameters and the noise re-  
duction setting.  
As you’ll hear, selecting a different effect type by using the  
EFFECTS selector switch will automatically adjust the EDIT  
2 and EDIT 3 parameter values to suit the selected effect  
type.  
In addition, selecting a different amp sound style by using  
the STYLE selector switch will automatically set the noise  
reduction to a value that suits the selected amp type. This  
can be very convenient. However, you may sometimes want  
to tweak an existing preset program to change a sound to  
exactly what you have in mind. Alternatively, you may want  
to adventurously explore the world of sound creation and  
design by starting from scratch.  
HINT: For more details on STYLE options, refer to “Styles and  
Effects” (page 12).  
3. Adjust the top panel GAIN and TONE knobs.  
4. Hold down the TAP button and turn the EDIT 1 knob  
to adjust the noise reduction. This setting is also  
saved as part of your program. For details, refer to  
“Adjusting the noise reduction” (page 11)  
HINT: Adjust the noise reduction so that you don’t hear noise  
when you’re not playing your guitar.  
5. If you want to use an effect, press the BYPASS but-  
ton to turn bypass off (the BYPASS LED goes dark).  
6. Select an effect, and make adjustments. For ex-  
ample if you want to add delay, turn the EFFECT  
selector to “DELAY.” If the selector is already set to  
“DELAY,” you’ll have to turn it to a different effect and  
then back to “DELAY.”  
HINT: When you turn on the DA5, the EDIT 2, EDIT 3 and  
Noise Reduction parameters will be automatically set  
to the values appropriate to the current selection of the  
EFFECTS and STYLE selector switches.  
Use the TAP button or EDIT 1 knob to adjust the  
delay time and delay level.  
10  
 
DELAY TIME:  
Press the TAP button twice at the de-  
sired interval, or hold down the TAP  
button and turn EDIT 1.  
NOTE:When you select a different type of sound, the noise re-  
duction setting is automatically configured to its initial  
value to accommodate the selected amp sound Style.  
DELAY LEVEL:  
Turn EDIT 1 (without pressing any  
button).  
Turn EDIT 1 while holding down the  
BYPASS button.  
3. If you want to use effects, press the BYPASS button  
to make the BYPASS LED go dark and the effect(s)  
will be heard.  
DELAY FEEDBACK:  
HINT: For details on the effects, refer to “Styles and effects”  
(page 12).  
Adjusting the noise reduction  
Here’s how to adjust the noise reduction  
HINT: When you use a high-gain amp type such as “HIGAIN  
1,” “HIGAIN 2” or “HIGAIN 3,” we recommend that  
you use noise reduction.  
1. Press the BYPASS button to make the BYPASS LED  
light.  
2. Hold down the TAP button and turn the EDIT 1 knob  
to adjust the noise reduction sensitivity. Turning the  
knob toward the right will produce greater noise re-  
duction (less noise). If you turn the knob all the way  
to the left, noise reduction will be off (more noise).  
NOTE:Depending on the guitar you’re using, excessively high  
noise reduction settings may cause notes to be cut off in  
an unwanted manner!  
11  
 
CLEAN 1  
Styles and effects  
This style has a beautifully responsive, rounded low-  
In this section we’re going to talk about the eleven styles and  
effects.  
end, delightfully transient mid-range attack and  
sweet treble making it the perfect partner for single-  
coil pickups. Strummed chords just ring out and blos-  
som.  
STYLES  
CLEAN 2  
You know that there is a plethora of great sounding amps out  
there, and that the quest for the ultimate sound can be end-  
less. After countless hours of soul searching, earnest dis-  
cussions (not to mention the occasional friendly argument!),  
calls to tone-wise friends (some professional players, some  
not ... but all blessed with great ears)—plus, of course, lis-  
tening and playing—a top eleven list was finally drawn up. As  
you’re about to discover, the ones we went with are not only  
the cream of the crop but also offer up the widest possible  
array of the greatest guitar tones known to humans—from  
pristine clean to outrageous overdrive and all points in-be-  
tween.  
This style’s clean sound is very tight “n” twangy, with  
a deep, taut, piano-like bass.  
BLUES 1  
This style is very responsive to picking dynamics and  
guitar volume settings. Backing-off your guitar vol-  
ume can produce a beautifully clean and full tone. It  
also means that you can make notes or chords more  
distorted or clean depending on how hard or soft you  
pick.  
BLUES 2  
This style has a thick tone with second and third or-  
der harmonics that increase as the amp is cranked.  
BLUES 3  
This instantly recognisable signature tone produces  
clean sounds that are rich and jangly with a smooth  
yet detailed top end, and overdrives that have a glo-  
rious, throaty bark.  
12  
 
CRUNCH 1  
HIGAIN 3  
This organic sounding style is dynamically rich and  
This is capable of a powerful, heavily saturated  
warm, yet biting and distinct!  
Rolling back your guitar’s volume results in a unique  
and highly usable clean sound.  
sound that combines an open low-end with com-  
pressed mids and highs.  
The result is a tone that remains focused and well  
defined at even the most extreme gain settings.  
CRUNCH 2  
DRIVE  
This style has a fat, roaring sound with a distinctive,  
cranium-crushing crunch.  
This style has a spectacular overdriven sound that’s  
perfect for sax-like, legato soloing. With its GAIN  
control wide-open, it produces a stunning sustain  
which is very smooth and soulful.  
Rolling back your guitar’s volume produces a bright,  
clean sound that’s perfect for chord work and will cut  
through any mix.  
HIGAIN 1  
This style’s toneful, high gain punch and girth results  
in a highly aggressive, tone-breathing monster ca-  
pable of mondo-gain while retaining individual note  
definition.  
HIGAIN 2  
The deep, loose low-end, some-what “fizzy” top and  
monstrous gain will make this style a mainstay for  
modern, players who tune low.  
At low GAIN settings, this produces a distinctive,  
bright clean sound bolstered by rich, upper harmon-  
ics that add fullness and dimension.  
13  
 
NOTE: In order to adjust the effect parameters, Effect Bypass  
must be off (BYPASS LED dark). If you hold down the  
TAP switch and turn the EDIT 1 knob when bypass is  
on (BYPASS LED lit), you’ll be adjusting the noise re-  
duction - not the effect parameter.  
Effects  
The DA5 provides eleven of the most popular effects (some  
effects actually combine two effects). You can adjust the  
SPEED parameter of modulation effects or the TIME param-  
eter of delay/reverb effects simply by pressing the TAP  
switch twice. In addition to using the EDIT 1 knob to adjust  
the most important parameters, you can make more de-  
tailed adjustments by holding down the TAP button or BY-  
PASS button while turning the EDIT 1 knob.  
TYPE  
TAP  
EDIT 1  
EDIT 2 [TAP+EDIT 1]  
WAH ATTACK  
COMP ATTACK  
PHASER SPEED  
CHORUS SPEED  
DELAY TIME  
EDIT 3 [BYPASS+EDIT 1]  
WAH POLARITY  
---  
AUTO WAH  
---  
WAH SENS  
COMP SENS  
COMP SENS  
COMP SENS  
DELAY LEVEL  
REVERB LEVEL  
REVERB LEVEL  
REVERB LEVEL  
REVERB LEVEL  
DELAY LEVEL  
REVERB LEVEL  
COMP  
---  
COMP+PHASER  
COMP+CHORUS  
CHORUS+DELAY  
CHORUS+REVERB  
FLANGER+REVERB  
TREMOLO+REVERB  
ROTARY+REVERB  
DELAY  
PHASER SPEED  
CHORUS SPEED  
DELAY TIME  
CHORUS SPEED  
FLANGER SPEED  
TREMOLO SPEED  
ROTARY SPEED  
DELAY TIME  
REVERB TIME  
PHASER RESONANCE  
CHORUS MIX  
CHORUS MIX  
CHORUS SPEED  
FLANGER SPEED  
TREMOLO SPEED  
ROTARY SPEED  
DELAY TIME  
CHORUS MIX  
FLANGER RESONANCE  
TREMOLO DEPTH  
ROTARY SENS  
DELAY FEEDBACK  
REVERB HIDAMP  
REVERB  
REVERB TIME  
14  
 
AUTO WAH  
PHASER  
This models an auto-wah; a device that creates an  
A model of a much respected and popular analogue  
phaser, housed in a banana yellow box!  
automatic “wah” effect that varies with your picking  
dynamics (i.e., how hard or soft you hit the strings).  
EDIT 1 “SENS”  
TAP  
“SPEED”  
Sets the modulation speed in a  
range of 0.1...10 [Hz].  
Adjusts the sensitivity of the effect  
in response to the volume of your  
guitar.  
EDIT 2 “SPEED”  
This lets you use the knob to make  
fine adjustments to the parameter.  
EDIT 2 “ATTACK”  
Adjusts the response speed of the  
auto wah.  
EDIT 3 “RESONANCE” Adjusts the amount of resonance.  
EDIT 3 “POLARITY”  
Adjusts the direction in which the  
effect operates.  
CHORUS  
This models the rich sound of an analog chorus unit.  
COMP  
TAP  
“SPEED”  
Sets the modulation speed in a  
range of 0.1...10 [Hz].  
Want to play a clean passage that needs to be nice,  
smooth, and even? Need a bit more sustain on a  
lead line? Then look no further; COMP is the effect  
for you. It’s modeled on a compressor pedal that is  
hugely popular due to the percussive clean sound it  
can produce—making it perfect for ’80s and ’90s pop  
and funk rhythm work. It can also add a singing,  
mellow, sustain to lead lines - clean or dirty.  
EDIT 2 “SPEED”  
EDIT 3 “MIX”  
This lets you use the knob to make  
fine adjustments to the parameter.  
Adjusts the mix amount of the ef-  
fect.  
HINT: In the CHORUS+DELAY combination effect, the  
SPEED parameter is already set to the optimal value.  
EDIT 1 “SENS”  
Adjusts the sensitivity of the com-  
pressor. Turning the knob toward the  
right will increase the amount of  
compression and sustain. If you turn  
the knob all the way to the left, the  
effect is OFF.  
FLANGER  
A model of a truly classic flanger that “unchained” a  
highly influential modern guitarist who many hail as  
the “godfather of two-handed tapping.”  
TAP  
“SPEED”  
Sets the modulation speed in a  
range of 0.1...10 [Hz].  
This lets you use the knob to make  
fine adjustments to the parameter.  
EDIT 2 “ATTACK”  
Adjusts the strength of the attack.  
EDIT 2 “SPEED”  
HINT: In the COMP+PHASER and COMP+CHORUS com-  
bination effects, the ATTACK parameter is already set  
to the optimal value.  
EDIT 3 “RESONANCE” Adjusts the amount of resonance.  
15  
 
TAP  
“TIME”  
Sets the delay time in a range of  
1...1,486 [ms].  
Adjust the mix amount of the de-  
layed sound.  
This lets you use the knob to make  
fine adjustments to the parameter.  
TREMOLO  
This effect is based on the highly acclaimed tremolo  
circuit found in some guitar amps.  
EDIT 1 “MIX”  
EDIT 2 “TIME”  
TAP  
“SPEED”  
Sets the tremolo speed in a range  
of 2.5...10 [Hz].  
This lets you use the knob to make  
fine adjustments to the parameter.  
Adjusts the tremolo depth.  
EDIT 2 “SPEED”  
EDIT 3 “DEPTH”  
EDIT 3 “FEEDBACK” Adjusts the amount of feedback.  
HINT: In the CHORUS+DELAY combination effect, the  
FEEDBACK parameter is already set to the optimal  
value.  
ROTARY  
This models a rotary speaker.  
WARNING! If you crank up the FEEDBACK too much, an  
uncontrollable, cascading “runaway” of echoes will oc-  
cur. So, use your ears when setting this!  
TAP  
“SPEED”  
Sets the rotational speed of the  
speaker in a range of 0.8...10 [Hz].  
This lets you use the knob to make  
fine adjustments to the parameter.  
By adjusting this parameter you can  
make the rotational speed change  
automatically in response to the vol-  
ume of your guitar. If you use this  
function, set the SPEED to a slow  
setting.  
EDIT 2 “SPEED”  
EDIT 3 “SENS”  
REVERB  
A model of the most popular spring reverb system  
used in guitar amps.  
TAP  
“TIME”  
Sets the reverb time in a range of  
0.8...8 [seconds].  
EDIT 1 “MIX”  
Adjusts the mix amount of the re-  
verb.  
DELAY  
EDIT 2 “TIME”  
EDIT 3 “HI DAMP”  
This lets you use the knob to adjust  
the reverb time.  
Adjusts the dampening of the high-  
frequency range.  
This is a model of one of the most respected ana-  
logue tape echo machines ever made. In the original  
the “echo” is produced by a playback head and the  
exact “delay time” is set by varying the motor speed.  
Many professionals prefer these “lo-fi” units because  
of the warm, dark echoes they produce.  
HINT: In combination effects, the TIME and HI DAMP pa-  
rameters are already set to optimal values.  
16  
 
4. Theres no sound heard from the LINE/PHONE  
jack when you use it.  
Troubleshooting  
Check that the top panel MASTER volume isn’t  
turned all the way down.  
1. The amp isn’t powering up when the POWER  
switch is ON.  
Make sure sound is coming from the amp.  
Have you installed batteries? Is the polarity correct?  
Or, is the AC adapter cord connected to the rear  
panel of the amp correctly?  
IMPORTANT NOTE: You’ll need to unplug your headphones  
or cable from the LINE/PHONE jack to do this, since plug-  
ging something into this jack automatically mutes the  
amp’s speakers. If there’s still no sound from the amp, go  
to “There’s no sound coming from the amp.” If you do  
hear sound, check the headphones or cable you are hook-  
ing up to this jack.  
Is the AC adapter plugged into an AC outlet?  
Is the AC outlet switched on and working?  
Is the AC adapter damaged?  
2. Theres no sound coming from the amp  
Is your guitar turned up?  
Are both ends of your guitar cable plugged into  
where they should be?  
5. You can’t hear any effects.  
Check that the BYPASS LED isn’t lit. If it is lit, the ef-  
fect is bypassed. Press the BYPASS button to disen-  
gage it; the BYPASS LED will go off.  
Is the EDIT 1 knob turned down too low? Adjust the  
EDIT 1 knob.  
Is your guitar cable working?  
Are the top panel MASTER volume and GAIN knob  
turned up?  
Do you have headphones or anything else plugged  
into the amp’s rear panel LINE/PHONE jack? If “yes,”  
unplug!  
6. You cannot hear the sound from a player con-  
nected to the rear panel AUX IN jack.  
3. The amp doesn’t seem very loud  
Is the player connected to the amp correctly?  
Is the volume level on the player set too low?  
Is your guitar turned up?  
Is the top panel MASTER volume or GAIN knob  
turned down low?  
7. You cannot hear sound from a microphone con-  
nected to the MIC INPUT jack.  
Is the POWER SELECT switch on the rear panel set  
to a lower wattage?  
Is the microphone connected to the amp correctly?  
Is the mic switch turned on?  
Is the MIC VOLUME knob set too low?  
17  
 
Specifications  
Number of amp types: 11  
Number of effects:  
Noise reduction:  
Input/output jacks  
Top panel:  
11  
1
1x INPUT  
Rear panel:  
1x AUX IN jack, 1x MIC  
INPUT jack, 1x LINE/  
PHONE jack  
Power amp output:  
Speaker:  
Maximum 5W RMS @ 8  
ohms  
1x VOX original (6.5inch  
8 ohm)  
Signal processing  
A/D conversion:  
D/A conversion:  
Sampling frequency:  
Power supply:  
24-bit  
24-bit  
44.1 kHz  
Six C batteries or the in-  
cluded AC adapter  
Current consumption: 390mA  
Dimensions (W x D x H): 267 x 179 x 267 (mm)  
10.51" x 7.05" x 10.51"  
Weight  
Included items:  
3.5 kg/7.72 lbs.  
AC adapter  
*
Appearance and specifications of this product are  
subject to change without notice.  
For more information on Vox products, please visit our  
18  
 
Programmers Cheat Sheet  
Wanna remember how you set up your favorite programs?  
Well, this is the place to do it!  
Simply copy the sheet below and mark up by drawing lines  
or coloring. Don’t forget to make notes on NR!  
PROGRAM NAME:  
EDIT 2 (TAP + EDIT)/:  
TAP  
EDIT 3 (BYPASS + EDIT):  
NR (NOISE REDUCTION):  
NOTE:  
19  
 
IMPORTANT NOTICE TO CONSUMERS  
This product has been manufactured according to strict specifications and voltage require-  
ments that are applicable in the country in which it is intended that this product should be  
used. If you have purchased this product via the internet, through mail order, and/or via a  
telephone sale, you must verify that this product is intended to be used in the country in which  
you reside.  
WARNING: Use of this product in any country other than that for which it is  
intended could be dangerous and could invalidate the manufacturer’s or  
distributor’s warranty.  
Please also retain your receipt as proof of purchase otherwise your product may  
be disqualified from the manufacturer’s or distributor’s warranty.  
2005 VOX AMPLIFICATION LTD.  
 

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